![]() ![]() Recently, the Oh Yeah single topped the radio charts, the first time an instrumental had done so in 10 years, and a rather explicit confirmation of his excellence was set in stone. His thinking swiftly adapted to circumstances, thank God. Then he executed a what-the-hell, releasing a solo CD a few years ago, and the little treasure sold a jaw-dropping 90,000 copies. Geils), Bobby Whitlock, and others, Johnny nonetheless came to a point, when gigs were hard to find, where he figured it was all over and seeking new employ a must. Serving as side man for Peter Wolf (singer, J. A fan of the greats, he names Hendrix as the rock guitarist of all time (damn right!), and a lot of Jimi's style enters through the side door-again, with a great deal of Southern styling atop (think Dickey Betts, Link Wray, the Atlanta Rhythm Section gentz, etc.). ![]() This guy doesn't vocally emit one single note but still phrases a lot like Al Jarreau sings, with all kinds of improv and righteously clever flourishes, including tone and pitch you could calibrate a tuner by. If you watch the DVD closely, you'll note he combines subtle fingerpicking simultaneously in many spots. And take that 'flatpicking' label with a smidgeon of salt. However, though you may not have heard of him before, lemme lay a rather astonishing fact down: not only does he play some absolutely beautiful Gibsons but the company itself was so knocked out by the flatpicker's remarkable axemanship that it designed The Johnny A signature guitar, an honor very few players on the planet will ever be able to claim. The hipshakin' bop to the opening cut of this DVD / CD combo lets you know what you're in for as Johnny A adopts a Harvey Mandel tone and vocabulary a la Pete Carr before setting into a Capricorn shred solo. Tri State Independent | Review of Johnny A The Flash-Kennett Square, PA - click hereĪglaophone Records - AR-110107 (DVD / CD)Ī review written for the Folk & Acoustic Music Exchange also did his radio hit “Oh Yeah!” to perfection. “You Don’t Love Me,” the blues standard, was given a highly creative treatment, utilizing a half-time rhythm and some interesting sexy stops, combined with extreme soft/loud dynamics. In The Beatles' ballad “Yes It Is,” Johnny’s guitar tones were drippingly gorgeous, and playing the song instrumentally really brings out the raw beauty of the melody. ![]() It was a stew of virtuosity that left the crowd in awe. And captive they were, as Johnny blazed across the guitar neck, his fingers forming every possible chord imaginable, while controlling his many guitar effects to perfection. took on the difficult task of keeping the audience captive through an entire set of instrumentals. Drummer Marty Richards, in particular, impressed. He need not have worried, as the band was tight as nails from the first note. and his new band took the stage next, and after the first few songs, he admitted to the audience a touch of jitters, with all new band members and new songs. ![]() #Music randomly stops playing on phoenix firestorm viewer pdfPdf of current bio for "Driven" - click hereīio for "one november night" - click hereīio for "Sometime Tuesday Morning" - click here ![]()
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